Approach

Quiet cameras, honest films.

Three of us, two cameras and a lot of microphones. This is how we work, from the first call to the day your films arrive.

A filmmaker kneeling with a small cinema camera at the edge of a garden wedding ceremony

01

Scouted

We walk every venue before the day, or call the coordinator if it’s abroad.

02

Two angles

Nothing important happens on one camera. One on each of you during the vows.

03

Mic’d

Vows and speeches get their own microphones and a backup recorder.

04

Ours

No subcontracted shooters. The people on your call are the people on the day.

04

Ours

No subcontracted shooters. The people on your call are the people on the day.

How the day is filmed

From the first coffee to the last dance.

Every wedding is different, but most of our days follow the same shape. We plan it with you six weeks before.

Every wedding is different, but most of our days follow the same shape. We plan it with you six weeks before.

11:00

11:00

Getting ready

Details, letters and nerves. One of us with each of you.

14:00

14:00

The ceremony

Two cameras, three microphones, nobody in the aisle.

15:30

15:30

Drinks and portraits

Twenty minutes, then we give you back to your guests.

18:00

18:00

Speeches

Mic’d into the house system and recorded clean.

20:15

20:15

Golden hour

Ten minutes outside, the best light of the day.

21:30

21:30

First dance

Filmed from two sides, then we stay for the first songs.

When your films arrive

A teaser tonight. The rest, on dates in your agreement.

48 hours

Teaser

A one-minute film to share while it’s still the weekend.

4–6 weeks

Highlight film

Your day, cut to music. Delivered to your private gallery.

6–10 weeks

Feature, ceremony & speeches

The long versions, with chapters, in 4K and for your phone.

5 years

Kept safe

We keep a backup of every film and every clip for five years.

The crew

Three people. All of them yours on the day.

Isla Marlow, lead filmmaker: a woman in her 30s with a short brown bob, wearing a black jumper, holding a small cinema camera

Isla Marlow

Director & founder

I like films that age well. Fewer drone sweeps, more faces.

Theo Abara, second filmmaker and sound: a black man in his 30s with short locs, wearing a navy overshirt and headphones around his neck

Theo Abara

Second camera & drone

Two cameras, always. One of them on the people watching.

Nell Hart, editor: a woman in her 40s with grey-streaked hair and round glasses, at an editing desk with two screens

Nell Hart

Editor & colourist

A film is made twice: once on the day, once in the edit.

A vintage Super 8 camera held up at a candlelit outdoor wedding reception

Gear & film

Small cameras, real film, no big lights.

We film on two quiet cinema cameras with fast lenses, so we rarely need lights. For couples who want it, we add a Super 8 reel: three minutes of real film, developed and scanned, cut into the feature.

Travel within 100 miles of the Cotswolds is included.

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